this started as a symbol experiment, but slowly became a furniture thought.
the six-point structure was originally explored as a graphic form. over time, i became interested in what would happen if the geometry moved beyond a flat surface and entered physical space. instead of remaining as a visual mark, it could become part of an object people interact with daily.
the chair is imagined as a balance between structure and presence. the geometric lines create tension and rhythm, while the curved frame softens the overall form. i didn’t want it to feel decorative for the sake of decoration. the intention is for the pattern to function as part of the identity of the object itself.
this is still an early study, but the idea is clear. to eventually develop a custom chair that exists somewhere between graphic language, object design, and spatial experience.
(explore more here)